Edgar Degas, (born July 19, 1834, Paris, France—died Sept. 27, 1917, Paris), French painter, graphic artist, and sculptor. The son of a wealthy banker, he entered the École des Beaux-Arts in 1855. He spent much time in Italy studying and copying the Old Masters and became a skilled draftsman, producing history paintings and portraits. In the 1860s he was introduced to Impressionism by Édouard Manet and gave up his academic aspirations, turning for his subject matter to the fast-moving city life of Paris, particularly the ballet, theatre, circus, racetrack, and cafés. Influenced by Japanese prints and the new medium of photography, he used displaced figure groupings and unfamiliar perspective to create figure groups seen informally and in movement, similar in effect to snapshots. His fascination with the ballet and the racetrack sprang from his interest in picturing people absorbed in the practiced movements of their occupations. He often worked in pastel, his favourite medium, producing series of women, bathers, ballerinas, and horse races. From c. 1880 he modeled wax figures, which were cast in bronze after his death. He was the first of the Impressionists to achieve recognition.
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Impressionism Summary
Impressionism, a broad term used to describe the work produced in the late 19th century, especially between about 1867 and 1886, by a group of artists who shared a set of related approaches and techniques. The founding Impressionist artists included Claude Monet, Pierre-Auguste Renoir, Camille
drawing Summary
Drawing, the art or technique of producing images on a surface, usually paper, by means of marks, usually of ink, graphite, chalk, charcoal, or crayon. Drawing as formal artistic creation might be defined as the primarily linear rendition of objects in the visible world, as well as of concepts,
sculpture Summary
Sculpture, an artistic form in which hard or plastic materials are worked into three-dimensional art objects. The designs may be embodied in freestanding objects, in reliefs on surfaces, or in environments ranging from tableaux to contexts that envelop the spectator. An enormous variety of media
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colors, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light