Quick Facts
Born:
February 12, 1952, St. Louis, Missouri, U.S. (age 73)

Michael McDonald (born February 12, 1952, St. Louis, Missouri, U.S.) is an American singer-songwriter best known as the lead vocalist and keyboardist for the rock band the Doobie Brothers. McDonald became a fixture on rock radio with his rich and soulful vocals. He followed up his successful stint with the Doobie Brothers with a durable solo career, producing hits as a solo artist, in duets, and on film soundtracks.

Early life

Raised in Ferguson, Missouri, McDonald grew up listening to Broadway show tunes, rhythm and blues (R&B), and the music of the British Invasion. He formed his first band, Mike and the Majestics, while he was in high school and later developed his singing and keyboard skills while working in St. Louis nightclubs. In a 2018 interview with the Austin American-Statesman newspaper, he recalled how hearing the R&B song “Stop Her on Sight (S.O.S.)” by Edwin Starr changed his life: “The song really got me. Hearing that record pumping out over this great stereo system.…I just had this thought that someday I’d like to make a record like that—a song with a sophisticated arrangement. So I kinda chased that from that moment on.”

Career

In 1970 McDonald moved to Los Angeles, where he recorded a handful of unsuccessful demos and singles before joining the rock group Steely Dan as a session backup vocalist and keyboardist in 1973. He became a member of Steely Dan’s touring band in 1974 and contributed backing vocals to songs such as “Bad Sneakers” and “Black Friday” from the group’s 1975 album Katy Lied. Although he would eventually join the Doobie Brothers, he maintained a close professional relationship with the members of Steely Dan and added backing vocals to tracks on the group’s The Royal Scam (1976), Aja (1977), and Gaucho (1980) and perhaps most memorably on the band’s 1977 hit single “Peg.”

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In 1975 Jeff Baxter, a guitarist for the Doobie Brothers, recommended that McDonald temporarily replace the band’s lead singer, Tom Johnston, who was ill at the time, on tour. The band was so impressed with McDonald’s musicianship that it invited him to become a full-time member. In the book Long Train Runnin’: Our Story of the Doobie Brothers (2022), bass guitarist Tiran Porter recalled, “The second I heard him open up his mouth…my mind was blown right there.” McDonald’s husky vocals and gospel-inflected keyboard style transformed the band’s feel-good rock and roll sound into a smooth, soulful R&B approach. As their lead vocalist, McDonald cowrote and performed on hit singles such as “Takin’ It to the Streets” (1976), “It Keeps You Runnin’ ” (1976), the multiple Grammy Award-winning “What a Fool Believes” (1979), “Minute by Minute” (1979), and “Real Love” (1980).

Over the years McDonald collaborated with other popular vocalists. He recorded the duet “Let Me Go, Love” (1978) with Nicolette Larson and contributed backing vocals to the hit song “Ride Like the Wind” (1979) by Christopher Cross. McDonald also appeared on numerous albums by performers that included Carly Simon, Bonnie Raitt, Elton John, Rickie Lee Jones, Kenny Loggins (with whom he wrote “What a Fool Believes”), Joni Mitchell, and the Pointer Sisters.

The Doobie Brothers disbanded in 1982, in large part because of McDonald’s increasing focus on his solo career. His debut album, If That’s What It Takes (1982), features the jazzy hit single “I Keep Forgettin’ (Every Time You’re Near).” His second solo release, That Was Then: The Early Recordings of Michael McDonald (1982), is a collection of his early singles. His next release, No Lookin’ Back (1985), has a harder rock sound and spawned a minor hit with the title track. While developing his solo career McDonald continued collaborating with other artists. His duets with Patti LaBelle on “On My Own” (1986) and James Ingram on “Yah Mo B There” (1983) reached number one and number 19, respectively, on the U.S. charts. McDonald’s solo recording of “Sweet Freedom,” the theme song from the action comedy film Running Scared (1986), reached number seven on the U.S. charts.

McDonald combined rock and soul music on his 1990 album Take It to Heart. In 1991 he was featured on Aretha Franklin’s single “Ever Changing Times,” which was cowritten by Burt Bacharach. That same year, McDonald reunited with former Steely Dan bandmates Donald Fagen and Walter Becker to record and tour with the New York Rock and Soul Revue, a musical collective that also included Phoebe Snow and Boz Scaggs. For his album Blink of an Eye (1993), which features a soulful remake of the 1963 Freddie Scott hit “Hey, Girl,” McDonald enlisted guest supporting musicians, including country singer Vince Gill and bluegrass singer Alison Krauss.

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McDonald reunited with the Doobie Brothers for a tour in 1996 and would later rejoin the band on the road in the early 2020s. He released the album Blue Obsession in 1997, which features the original song “All I Need” and his rendition of Marvin Gaye’s Motown classic “Ain’t That Peculiar” (which was cowritten by Smokey Robinson). He went on to release the tribute albums Motown (2003), Motown Two (2004), Soul Speak (2008), and Tribute to Motown Live (2009). In 2017 he released the album Wide Open, his first recording featuring original material since Blue Obsession.

Awards and personal life

In 1980 he shared Grammy Awards with the Doobie Brothers and Kenny Loggins for song of the year, record of the year, and best arrangement accompanying vocals for “What a Fool Believes.” McDonald and the Doobie Brothers also won a Grammy for best pop vocal performance by a duo, group, or chorus for the song “Minute by Minute.” In 1985 he shared a Grammy with Ingram for best R&B performance by a duo or group with vocal for their duet “Yah Mo B There.” McDonald married singer Amy Holland in 1983, and the couple have two children.

Bill Guerriero The Editors of Encyclopaedia Britannica
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Michael McDonald

the Doobie Brothers, American rock band whose shift from Southern rock and blues-inspired compositions toward a commercially appealing soft rock sound resulted in its relevance and popularity throughout the 1970s and early 1980s. The band was formed in San Jose, California, in 1970 by vocalist-guitarist Tom Johnston, drummer John Hartman, bassist Dave Shogren, and guitarist Patrick Simmons.

Founding membersLater members
  • Tiran Porter (born September 26, 1948, Los Angeles, California)
  • Michael Hossack (born October 17, 1946, Paterson, New Jersey—died March 12, 2012, Dubois, Wyoming)
  • Jeffrey (“Skunk”) Baxter (born December 13, 1948, Washington, D.C.)
  • Keith Knudsen (born February 18, 1948, Le Mars, Iowa—died February 8, 2005, San Francisco)
  • Michael McDonald (born February 12, 1952, St. Louis, Missouri)
  • John McFee (born September 9, 1950, Santa Cruz, California)
  • Cornelius Bumpus (born January 13, 1952, Dallas, Texas—died February 3, 2004)
  • Chet McCracken (born July 17, 1952, Tacoma, Washington—died February 11, 2022, West Hills, California)

Early years

Marked by dual-lead guitars and stacked vocal harmonies, the first Doobie Brothers lineup honed its musical chops and found its audience in Northern California’s biker bars. Demo tapes of the band’s music caught the attention of record producer Ted Templeman, who had signed the Doobie Brothers to Warner Brothers Records by the end of 1970. Templeman went on to produce every studio album by the band until Cycles (1989).

Whereas the band’s debut album, The Doobie Brothers (1971), failed to capture the energy of its live performances, its sophomore album, Toulouse Street (1972), launched the band into the limelight. Buoyed by the now classic tracks “Listen to the Music”, “Jesus Is Just Alright,” and “Rockin’ Down the Highway,” Toulouse Street featured a more polished sound and an expanded lineup, including bassist Tiran Porter (who replaced Shogren) and an additional drummer, Michael Hossack. The band’s third album, The Captain and Me (1973), achieved double-platinum sales and features the rockers “Long Train Runnin’ ” and “China Grove,” which peaked at number 8 and number 15, respectively, on the Billboard Hot 100 chart. The Captain and Me also showcases contributions from Little Feat keyboardist Bill Payne, who plays piano on “China Grove” and other tracks, and then Steely Dan guitarist Jeff Baxter, who added a pedal steel guitar part to “South City Midnight Lady.”

The Doobie Brothers’ fourth album, What Were Once Vices Are Now Habits (1974), produced the band’s first number-one hit, Simmons’s rollicking “Black Water.” Hossack abruptly left the band while rehearsals for the Vices tour were underway, and he was replaced by drummer Keith Knudsen. Another key lineup change occurred when Baxter learned that Steely Dan would no longer be touring, and he joined the Doobie Brothers’ lineup during the Vices tour. His lead guitar and pedal steel work features prominently on the follow-up to Vices, the western-themed Stampede (1975).

The Michael McDonald era

Prior to the release of Stampede, Johnston fell ill with a bleeding ulcer and was replaced on the album’s promotional tour by vocalist-keyboardist Michael McDonald, who had worked with Baxter in Steely Dan. The band was impressed with McDonald’s soulful vocals and gospel-tinged keyboard style and invited him to become a full-time member. Under McDonald, the band smoothed out its raucous, feel-good rock and roll sound into a soulful rhythm and blues (R&B) approach.

The revamped Doobie Brothers followed Stampede with the light funk and pop-oriented Takin’ It to the Streets (1976), scoring hits with the album’s title track and “It Keeps You Runnin’,” which were both written by McDonald. The band’s next album, the jazz-influenced Livin’ on the Fault Line (1977), did not produce any hits and met with mixed reviews.

The band’s sound continued to mellow, evolving into a more polished style under McDonald. In late 1978 the Doobie Brothers released the chart-topping album Minute by Minute, anchored by the title track, which peaked at number 14 on the Billboard Hot 100, and the number-one hit “What a Fool Believes,” which was written by McDonald and Kenny Loggins. In 1980 “What a Fool Believes” and “Minute by Minute” won Grammy Awards for record of the year and best vocal performance by a duo, group, or chorus, respectively.

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The rigors of touring wore on the band. Baxter and Hartman left the Doobie Brothers in 1979 and were replaced by multi-instrumentalist John McFee and drummer Chet McCracken. The 1980 release One Step Closer showcased the band’s signature harmonies and McDonald’s soulful touch but did not achieve the commercial or critical success of Minute by Minute. One Step Closer produced the hit song “Real Love,” which peaked at number 5 on the Billboard Hot 100 chart. The Doobie Brothers disbanded in 1982 after Simmons and McDonald left to pursue solo careers. In 1983 Warner Brothers issued the live double album Farewell Tour, which documents the band’s 30-date 1982 tour.

Later years

In 1987 Johnston, Simmons, Baxter, Hartman, Hossack, Porter, and other band members embarked on a successful reunion tour, which breathed new life into the band’s legacy. In the years that followed, the Doobie Brothers continued to tour and record, releasing the albums Cycles (1989), Brotherhood (1991), Sibling Rivalry (2000), and Southbound (2014), among others. These albums, while achieving varying degrees of critical and commercial success, maintained the band’s signature sound while incorporating contemporary elements. McDonald rejoined the band on the road in the early 2020s. The Doobie Brothers were inducted into the Rock and Roll Hall of Fame in 2020, and the band released the album Liberté in 2021. The group was inducted into the Songwriters Hall of Fame in 2025.

Max Simon