flute summary

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flute, Woodwind instrument in which the sound is produced by blowing against a sharp edge. In its broad sense, a flute may be end-blown, like the recorder, or may have a globular shape, like the ocarina. In its narrow sense, discussed below, flute refers to the transverse flute of Western music. The transverse flute, a tubular instrument held sideways to the right, appeared in Greece and Etruria by the 2nd century bc. By the 16th century a family of boxwood flutes, with fingerholes but no keys, was in use in Europe. Keys began to be added in the late 17th century. Theobald Boehm’s 19th-century innovations resulted in the modern flute, which permits thorough expressive control and great agility. The cylindrical tube may be made of wood or, more often, a precious metal or alloy. Its range is from about middle C to the C three octaves higher. The flute family includes the piccolo (pitched an octave higher), the alto flute, and the rare bass flute. See also shakuhachi.

Claude Debussy summary

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Below is the article summary. For the full article, see Claude Debussy.

Claude Debussy, (born Aug. 22, 1862, Saint-Germain-en-Laye, France—died March 25, 1918, Paris), French composer. Born into near poverty, he showed an early gift for the piano. He entered the Paris Conservatoire in 1873, and soon thereafter he was employed as pianist by Nadezhda von Meck, Pyotr Tchaikovsky’s patroness. Influenced by the Symbolist poets and Impressionist painters, he was early inclined toward a compositional style of great originality, shunning the strictures of traditional counterpoint and harmony to achieve new effects of great subtlety. Regarded as the founder of musical Impressionism, he used unusual voice leading and timbral colours to evoke pictorial images and moods, especially of languor and hedonism. His significance in weakening the hold of traditional tonal harmony equals that of Franz Liszt, Richard Wagner, and Arnold Schoenberg. Given his effect on such composers as Maurice Ravel, Igor Stravinsky, Béla Bartók, Alban Berg, Anton Webern, and Pierre Boulez, he can be seen as the most influential French composer of the last three centuries. His works include the opera Pelléas et Mélisande (1902), the orchestral works Prelude to The Afternoon of a Faun (1894) and La Mer (1905), and the piano Préludes (1910, 1913).